BioSonics grew from a deceptively simple question: what becomes possible when we listen to the body—and to sound—with unusual care?
From listening to a system of practice
John’s early investigations joined musical training with psychology and creative arts therapy. His account of spending extended time listening in an anechoic chamber became pivotal, leading him to explore tuning forks and musical intervals as instruments for attention, composition, and therapeutic practice.
BioSonics Repatterning
The system John developed uses tuning forks based on musical ratios found in nature. Over time, the inquiry expanded into instruments, protocols, recordings, books, research, and professional education.
ListenAttention begins with direct experience of sound and interval.Open audio library →ExploreMusical ratios become a framework for research and creative practice.Read the guide →DevelopSpecialized tuning forks, protocols, books, and recordings make the work teachable.Explore BioSonics →ShareClasses and practitioner education carry the work into new contexts.View training →
ListeningDirect sound experience remains the center of the work.
RatiosMusical intervals create a practical language for attention and relationship.
EducationCourses, recordings, and BioSonics tools carry the work into ongoing study.